"Hong Kong, 1918. En by fylt til randen av flyktninger, smuglere og eventyrere av ymse slag. Det er her Corto Maltese stifter bekjentskap med «De røde lykter». Hans oppdrag? Å kapre toget til den antibolsjevikiske admiral Koltsjak, som frakter Russlands keiserlige skatter etter tsarens død. Med livet som innsats trosser Corto gale krigsherrer, en livsfarlig hertuginne og mystiske agenter. Klarer han å unngå fellen til den vakre Shanghai Lil?"
"Venezia, «La Serenissima», dit sjøfolk, filosofer og trollmenn har valfartet i uminnelige tider … og dit Corto Maltese alltid vender tilbake, tiltrukket av byens gåter og drevet av sin umettelige tørst på eventyr. I en by med tusen mysterier skal han løse gåten som vil vise ham veien til «Salomos kraveben», en skatt skjult i hjertet av en verdslig fabel og ettertraktet av frimurere, mordere og galninger."
"Poppies of Iraq is Brigitte Findakly’s nuanced tender
chronicle of her relationship with her homeland Iraq, co- written and drawn
by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and
elegant detail, they share memories of her middle class childhood touching
on cultural practices, the education system, Saddam Hussein’s state
control, and her family’s history as Orthodox Christians in the arab
world. Poppies of Iraq is intimate and wide-ranging; the story of how one
can become separated from one’s homeland and still feel intimately
connected yet ultimately estranged.
Signs of an oppressive regime permeate a seemingly normal life: magazines
arrive edited by customs; the color red is banned after the execution of
General Kassim; Baathist militiamen are publicly hanged and school kids are
bussed past them to bear witness. As conditions in Mosul worsen over her
childhood, Brigitte’s father is always hopeful that life in Iraq will
return to being secular and prosperous. The family eventually feels
compelled to move to Paris, however, where Brigitte finds herself not quite
belonging to either culture. Trondheim brings to life Findakly’s memories
to create a poignant family portrait that covers loss, tragedy, love, and
the loneliness of exile."
"Fabian is supervisor at the Louvre. He loves his job. He also loves
Mathilde. When time comes, she presents him to her family in their vast
country house and not without some apprehension, as the Benion clan is a
bit special. There's her father, Louis, who heads since 1975 the family
furniture company founded in 1947, and two brothers, Maxime and Joseph.
They're not bad guys, just rather clumsy and with a decidedly unsubtle
sense of humor. The fact that Fabian works in the Louvre is a welcome
coincidence, since they just found in the attic a painting by an ancestor
in the nineteenth century.
A raucous satirical comedy that asks: Who decides what makes a work of art
worthy of being in a major museum?"
"Acclaimed manga artist Jiro Taniguchi provides the latest entry in
the Louvre collection of graphic novels. After a group trip to
Europe, a
Japanese artist stops in Paris alone, intent on visiting the museums of the
capital. But, bedridden in his hotel room with fever, he faces the
absolute
solitude of one suffering in a foreign land, deprived of any immediate or
familiar recourse. When the fever breaks somewhat, he sets out on his
visit
and promptly gets lost in the crowded halls of the Louvre. Very soon, he
discovers many unsuspected facets to this world in a museum in a journey
oscillating between feverish hallucination and reality, actually able to
speak with famous painters from various periods of history, led to
crossroads between human and personal history by... the Guardians of
the Louvre."
"Slowly but surely he takes a promenade through Edo. “Furari” could
be translated as ‘aimlessly’, ‘at random’, ‘bend with the wind’
or ‘go with the flow’. But our stroller this time leaves nothing to
chance. Jiro Taniguchi returns with this delightful and insightful tale of
life in a Japan long forgotten. Inspired by an historical figure, Tadataka
Ino (1745 – 1818), Taniguchi invites us to join this unnamed but
appealing and picturesque figure as he strolls through the various
districts of Edo, the ancient Tokyo, with its thousand little pleasures.
Now retired from business he surveys, measures, draws and takes notes
whilst giving free rein to his taste for simple poetry and his
inexhaustible capacity for wonder.
As he did in The times of Botchan with lead character the writer
Soseki, Taniguchi slips easily into the heart and mind of this early
cartographer and reveals his world to us in full graphic detail so we may
fully perceive and understand."
"Available in English for the first time - the internationally
bestselling graphic novel and an Official Selection at France’s
prestigious Angoulême Internaional Comics Festival by master
illustrator-storyteller Chabouté (Park Bench).
On a tiny lighthouse island far from the rest of the world, a lonely hermit
lives out his existence. Every week a supply boat leaves provisions, its
occupants never meeting him, never asking the obvious questions: Who are
you? Why do you hide? Why do you never leave? What is it like to be so
alone?
Years spent on a deserted rock - a lifetime, really - with imagination his
sole companion has made the lighthouse keeper something more than alone,
something else entirely. For him, what lies beyond the horizon might
be...nothing. And so, why not stay put? But one day, as a new boatman
starts asking the questions all others have avoided, a chain of events
unfolds that will irrevocably upend the hermit’s solitary life....
Filled with stunning and richly executed black-and-white illustrations,
Alone is Chabouté’s masterpiece - an unforgettable tale where
tenderness, despair, and humor intertwine to flawlessly portray how someone
can be an everyman, and every man is someone. "
"In Baking with Kafka, Tom Gauld asks the questions no one else
dares ask about civilisation as we know it.
- How do you get published during a skeleton apocalypse?
- What was the secret of Kafka’s lemon drizzle cake?
- And what plot possibilities does the exploding e-cigarette offer modern
mystery writers?
A riotous collection of laugh-out-loud cartoons in his signature style,
Baking with Kafka reaffirms Gauld’s position as a first-rate
cartoonist, creating work infused with a deep understanding of both
literary and cartoon history."
"I serieromanen Nya Norrland kastar sig Mats Jonsson handlöst
ned i den klyfta mellan stad och landsbygd som allt mer framstår som som
en av vår tids avgörande konflikter. När hans familj flyttade till
Bollstabruk 1974 hade den ångermanländska sågverksorten 3 600 invånare,
full sysselsättning och ett rikt affärsliv längs huvudgatan. Fyrtio år
senare går Mats omkring bland förfallna hus i ett samhälle som förlorat
hälften av sina invånare, trots att sågverket omsätter en miljard om
året och har blivit ett av de största i Europa.
Med vrede och svart humor skildrar Mats Jonsson både Bollstabruk och
platsen han flyttat till – Telefonplan i Stockholm, där designbyråer,
mäklarkontor och tusentals nya bostadsrätter poppar upp samtidigt som
skolbarnen hänvisas till baracker och tvivelaktiga friskolor.
I Nya Norrland fortsätter den skildring av hans eget liv som Mats
Jonsson påbörjat i hyllade serieromaner som Mats kamp och
Hey Princess, nu med fokus på den utflyttades skuldkänslor över
att vara en del av det problem man försöker bekämpa."
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