"Tegnehanne forteller – fra innsiden av sykehuslivet! Hanne
Sigbjørnsen – aka Tegnehanne - har jobbet som sykepleier og
serieskaper. Samtidig! I denne personlige tegneserien forteller hun om
reisen fra sykepleierstudiet, til jobbingen som nettopp sykepleier, til
dagen hun sa opp denne jobben.
Resultatet er morsomt, utleverende og gir oss alle et innsyn i sykehuslivet
som vi sjelden har tilgang til.
I bokform er Tegnehanne et meget personlig bekjentskap. Hanne Sigbjørnsen
setter seg selv i sentrum for handlingen, og hun serverer anekdoter gjennom
tekst, tegning og tegneserier. Her utleverer hun opplevelser, meninger,
sorger og drømmer."
"He’s tougher than the toughies and smarter than the smarties… he’s Scrooge McDuck! But has he got what it takes to survive a combined onslaught from Flintheart Glomgold, John D. Rockerduck, Magica De Spell, and the Beagle Boys in Scrooge’s Last Adventure? Also features Glittering Goldie in Romano Scarpa’s The Miner’s Granddaughter, new tales of Uncle Rumpus by William Van Horn, and a virtual reality trek through Scrooge’s Life and Times in Scrooge Vs. Scrooge!. Collects IDW’s Uncle Scrooge #13–18."
"Kitaro and the Great Tanuki War features adventures of Shigeru
Mizuki’s beloved yokai boy. In the epic title story, Kitaro battles the
tanuki, a Japanese animal that features prominently in the country’s
yokai legends. The furry beasts draw on the power of the blood moon to
awaken the monstrous catfish that lives in the depths of the Earth. The
twisting of the catfish causes earthquakes that threaten to destroy all of
Japan. With his yokai allies captured, Kitaro is the only one left who can
take on the great tanuki and his army. Will he be up for the challenge?
This volume contains two additional stories about traditional folklore
monsters as seen through Mizuki’s whimsical and genre-defining lens. In
Mokumokuren, Kitaro faces off against a paper screen come to life,
while The Obebenuma Yokai introduces a grisly swamp creature.
Kitaro and the Great Tanuki War showcase the golden age of
Gegege no Kitaro series from the 1960s – and have never appeared in
English before."
"This is the final soul-crushing arc of Providence, and nothing will be the same! Alan Moore’s quintessential horror series has set the standard for a terrifying reinvention of the works of H.P. Lovecraft. It is being universally hailed as one of Moore’s most realized works in which the master scribe has controlled every iota of the story, art, and presentation. The result has been a masterpiece like no other and a true must-have addition to his essential works in the field. We present a collected Providence Act 3 Hardcover edition that contains Providence issues #9-12, and all the back matter, in this one-time printing of this edition."
"At the age of 76, the painter/cartoonist Jerry Moriarty moved from his
studio loft in Manhattan, where he lived and worked for 49 years, to his
childhood home in Binghamton, New York, where he lived from the age of six
until he went to Pratt Institute at 18. The artist uses this as an
opportunity to interrogate his past via the act of painting as a mnemonic.
He invents the teenaged Sally, based upon his sister Pat, with whom he
talks and shares his paintings: “The painting becomes a time machine and
I am there in the past visiting my Dad,” he tells her.
The book alternates between unconventional pen-and-ink sequential panels
that take place in the artist’s present self as he converses with the
past; and full-color, acrylic paintings in the manner of David Hockney and
Edward Hopper recreating his recollection of that same past. Whatsa
Paintoonist? is a masterpiece of concision, remembrance, imagination,
and artistry, imbued with the love of life and the love of the artist’s
own life."
En rar og skummel postapokalyptisk historie.
"In issues #1-12 of the acclaimed series by Jeff Lemire, meet Gus, a
human/animal hybrid who was raised in isolation after a pandemic that
struck a decade earlier. Now, the death of his father has left him alone
– until a drifter named Jepperd promises to help him find a refuge for
hybrids."
"Sweet Tooth is like Mad Max with antlers... spellbinding
and offbeat." -USA Today
"Gift box set featuring the two final hardcover volumes in The
Complete Peanuts series: Volume 25 (1999-2000) and Volume 26 (Comics
& Stories).
The 25th volume of The Complete Peanuts collects the very final
year-plus of the defining comic strip of the 20th century, which ran for
nearly 18,000 strips and for 50 years after its debut in 1950. This
masterpiece includes all of 1999 through the final Feb. 13, 2000 strip. In
this volume, Rerun takes center stage and cements himself as the last great
Peanuts character - when he embarks on a career as an underground comic
book artist! This volume also features a huge surprise: the complete
Li’l Folks, the weekly one-panel comic that Charles Schulz produced
for his hometown paper. Li’l Folks was a clear precursor to
Peanuts, and its inclusion here will bring The Complete
Peanuts full circle.
Volume 26 collects all of Schulz’s rare, non-strip Peanuts art:
storybooks, comic book stories, single-panel gags, advertising art, book
illustrations, photographs - even a recipe! With close to 1000 Peanuts
images included, all created by Schulz himself, no true
Peanuts library would be complete without this final volume. As a
fitting end to The Complete Peanuts series, Jean Schulz, who was
instrumental in putting this beloved series together, provides an emotional
introduction to the volume."
"Coming home from a trip, Mickey finds another Mouse in his house. A
Mouse who could be his twin... evil twin, that is! The dastardly Miklos has
been alienating Mickey’s friends and committing crimes in Mickey’s
name. He’s got Pluto as a hostage, so Mickey can’t make him stop! Or
can he? Send in the clones - here comes a fight to the finish! Floyd
Gottfredson, Mickey Mouse artist from 1930–1975, and co-writer
Bill Walsh gave Disney’s big-eared hero many bouts of self-doubt
in the uneasy Cold War years. But only once did Mickey’s very identity
face a challenge like this! And Mickey’s Dangerous Double is
only the start. Dry Gulch Goofy becomes a Wild West movie star this volume
- and Pegleg Pete attacks the Isle of Moola-La for perilous
paydirt!
Restored from Disney’s original proof sheets, Mickey
Vs.Mickey also includes more than 20 pages of duplicitous extras!
You’ll enjoy behind-the-scenes art, rare publicity material, and
clone-worthy commentary by Disney talents! Walt Disney often said
that his studio’s success “all started with a Mouse” - and today
Mickey is among the world’s most recognizable icons. Now it’s time to
rediscover the wild, unforgettable personality behind the icon: Floyd
Gottfredson’s Mickey Mouse."
"Born on the cusp of WWII in 1938, at a time when other little girls
dreamed of being nurses and secretaries, TrinaRobbins’s ambition was to
be a bohemian; and indeed she did. She chronicles a life of sex, drugs,
rock ’n’ roll - and comics - in Last Girl Standing.
Robbins describes her upbringing in Queens, New York, reading comics
through her childhood in the 1940s; visiting the EC offices and
becoming part of SF fandom (dating Harlan Ellison at age 16); and posing
nude for men’s magazines in the 1950s; living in the Village, over her
own boutique where she made clothes for and interacted with rock royalty
like David Crosby, Donovan, Cass Elliot; her close relationship with Paul
Williams; entering the orbit of underground cartoonists like Art
Spiegelman, R. Crumb, Vaughn Bodé, and Bill Griffith, when she started
contributing comics to The East Village Other; and, in the ’70s, moving
to San Francisco, contending with the phallocentric underground scene,
marrying Kim Deitch, co-founding Wimmen’s Comix, and being
invited into Felch Comics (she declined); her work for the
National Lampoon, Marvel Comics, and Eclipse in
the 1980s; and her crisis as a cartoonist and transformation into an
historian and lecturer in the ’90s and 2000s.
From science fiction to the Sunset Strip, from New York’s underground
newspapers to San Francisco’s underground comix: Trina Robbins broke the
rules and broke the law. From dressing Mama Cass to being pelted with jelly
babies as she helped photograph the Rolling Stones’s first US tour, from
drunken New York nights spent with Jim Morrison to producing the very first
all-woman comic book, this former Lady of the Canyon takes no
prisoners in this heavily illustrated memoir."
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