Forlagets omtale:

'Queer Exhibition Histories' comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and paraphernalia, with the overriding notion, or need, for public display. In these contexts, ‘public’ is relative in events that were either short-lived, held under the veil of domestic spaces, or kept exclusive for those ‘in the know’.